[emr]
my collections, zines, portfolio, and some notes. do not redistribute, contact for use. site currently under construction.
for more writing, you can find my casual blog on spacehey and my academic blog on wordpress.
my published poetry is available on eunoia review
this series of poems touches on chronic pain, body image and mental health. stay safe and please read with caution.
dissonance
(body as traitor, body as home)my body hums in the wrong key.
every movement out of tune,
every breath caught between chords.i try to love her.
i do.
i smooth lotion over skin like an apology,
dress her soft,
talk her gentle.
but she screams anyway.the joints lock like doors i’ve lost the keys to.
the lungs rattle their protest.
the spine curves away from kindness.
i call her mine—
she answers with silence or static.some days i wake up
and she fits like a borrowed coat.
not right,
but close enough to pass in.
other days
she’s nothing but a siren wailing beneath my ribs.i don’t know how to hold her anymore.
i don’t know how to leave.we share a name
and still mispronounce it.the first time you left your body
they said it was nothing.
just a brush of skin, a passing touch—
but your hands didn’t belong to you anymore.you felt yourself slip,
a slow dissolve between the edges of your skin
and the hollow space inside your chest.their fingers were strangers
mapping places you never chose to be known.you wanted to scream,
but your voice was folded away—
a paper bird trapped in a glass cage.stop pretending, they said,
like your body wasn’t breaking in half.you learned to ghost yourself on purpose,
to fold away the parts that hurt,
to leave pieces of you
like breadcrumbs in the dark.sometimes you catch a glimpse
of that frightened child,
still half here, half gone—
watching from just beyond the mirror,waiting for the moment
when you might finally come back.symptom diary
5 feb. // pain under left rib. dreamed i was made of glass again.
11 feb. // not sure if i’m tired or dying. does it matter?
20 feb. // forgot how to explain it. again.
28 feb. // skin feels thin, like the world could tear right through me.
7 mar. // silence louder than the ache today.
15 mar. // a hiccup in time – the body stutters, remembers too much.
22 mar. // hands don’t obey. the disconnect is a slow slide.
30 mar. // breath catches on shadows. light is too sharp, too much.
6 apr. // smile feels borrowed, stretched too thin to be real.
14 apr. // sometimes pain sounds like a song i don’t know the words to.
21 apr. // muscles forget how to move – like a language lost in translation.
29 apr. // dizziness spins stories i don’t want to hear.
5 may. // numbness crawling up my spine, quiet and patient.
12 may. // laughter tastes strange today.
18 may. // the weight of my own skin feels unfamiliar.
25 may. // words fall apart before they reach my mouth.
2 jun. // restless nights with restless bones.
10 jun. // light flickers (inside and out) like a faulty bulb.
17 jun. // the ache blooms where no one can see.
24 jun. // breathing, just barely. like holding onto a thread.
28 jun. // joint pain. again.
3 jul. // can’t explain the tired. just tired.
9 jul. // woke up. wrong side of my body.
14 jul. // headache. no energy to fight it.
20 jul. // forgot if i took meds. maybe not.
26 jul. // skin itchy but no rash. weird.
1 aug. // dizzy. sit down.
7 aug. // brain fog. words missing.
13 aug. // pain sharp but quiet. confusing.
19 aug. // tired. always tired. still tired.
25 aug. // can’t move. don’t try.
31 aug. // nothing left to say.how to leave your body without dying (ii)
first:
forget the order of your limbs.
let the arms unbutton themselves.
unscrew the legs from the socket of gravity.the spine unzips with a soft click.
you step out like steam
rising from a cracked teacup.the room does not notice.
the world does not blink.next:
fold your body into origami –
crane, lotus, coffin.
tuck it under the bed
with the other ghosts.float,
but not upwards.
not heavenward.
float sideways,
into the wallpaper.become pattern.
become hum.
become whatever the mirror refuses to hold.if you see a younger version of yourself,
do not speak.
they are trying to stay.the sky might peel open –
ignore it.
it always wants a witness.time will lose its laces.
you may drift across calendars
like dust on an untouched shelf.do not worry.
this is the closest thing to comfort
that some of us ever learn.eventually,
the body may call you back –
with pain, or hunger, or a name you still answer to.you can return,
or not
either way,
you’ll be changed.on waking
waking feels like surfacing through wet concrete. the light is always too loud. your body, returned without warning, doesn’t fit right – like it’s been borrowed by something heavier overnight. there’s no grand re-entry, just the familiar ache drape across your frame like a weighted blanket you never asked for. everything is stiff, swollen with silence. even the air hurts.you take inventory before moving. neck: immobile. hips: burning. fingers: curled and unfamiliar. your first thought isn’t “i’m alive,” but “how bad is it today?” the kind of question you learn to ask quietly, as if the pain might hear you and answer loudly.you stare at the ceiling and try to bargain. if i can sit up, i’ll go to school. if i can stand, i’ll shower. if i can fake it long enough, no one will know. the ceiling offers no reply. it never does.outside, life continue without you. birds are screaming like everything is fine. the neighbour’s car engine coughs itself awake. somewhere, people are standing up without thinking about it, walking without limping, existing without apology. you’re not angry at them, just envious. tired.you try to move, but your body resists. not with defiance, but resignation. a kind of exhausted no that lives in the marrow. you shift anyway, slowly, pulling yourself together like wet paper – fragile, liable to tear. eventually, you sit up. not because you’re ready, but because the world will not wait.you wonder, not for the first time, how many more mornings your body will forget to be a body. and how many more times you’ll forgive it for forgetting
stomach acid - 30 and the council cut the branches off the trees - lxxiv were first published on eunoia review. you, who stepped through this gate and stomach acid - 30 both contain holocaust imagery, and the latter refers to eating disorders. please stay safe and read at your own volition.
you, who stepped through this gate
for my great-grandparents, presumed murdered at auschwitz.it snowed the day i walked where you vanished.
soft, like breath.
cold, like silence.
i watched it gather on rusted rails,
fall into footprints i couldn’t see
but felt.they say snow makes everything quiet,
but my bones were loud with you.
you,
who stepped through this gate
in fear,
and never left.i stepped out.
i got to leave.
i walked through the place
where your name
was unspoken,
your body
reduced to smoke
and silence.and still—
the snow fell like it had nothing to do with us.
like it had never heard of gas or fire,
like it didn’t know the word camp
could mean anything but safety.
like it could cover the earth
without apology,
without memory,
without shame.as if it had the right
to be beautiful here,
as if it had never settled
on barbed wire
or bone.it stung.
it stunned.
because it was beautiful,
because i could see it.
because you never got to.i wanted to gather the snow in my hands
and say
look—
i’m still here.
your blood still walks these paths.
your name
still breathes in my mouth.
and the snow,
this snow,
falls for you, too.this day creases at the edges
& i am wearing
a sweater too warm for spring, a secret
pressed against my skin. the bus leaves
without me, its shadow stretching long
and gone.i watch clouds drag their bellies over houses,
the rooftops aching for sun.
there are flowers breaking
through the pavement
& i think of something
i can’t quite name.my friends are smoking somewhere,
making the wind heavier with laughter.
i said i’d meet them, but the morning
got tangled in my shoes.
i count the cracks in the road instead.
my hands smell like lavender & dust.it’s been days since i’ve dreamed
of anything but open doors.
i go to the park for quiet.
the silence doesn’t look at me.the sky feels brittle, as though
a single breath could shatter it. i am
pacing inside myself, peeling back
the layers. i sit beneath a tree,
watch its shadow fold itself into the ground.there are petals in my lap,
fallen from branches i didn’t touch—
soft reminders
that some things break gently.the council cut the branches off the trees - lxxiv
the council cut the branches off the trees
on the street where i live. towering
sycamores cower under the moonlit sky,
silent screams echo through darkness.my neighbour four doors down decorates
what remains with twinkling fairy lights,
left red and green when they stay up after
christmas. decorated death matchesperfectly with the brightly-lit funeral
director that perches on the corner, opposite
its equally cheerful sister-store selling
gravestones and coffins and caskets.the egyptians used sycamore for
sarcophagi, but the trees that the council
cut the branches off were just left
for waste. an eyesore, the stumpsstand idle as the nearby lamposts,
but they produce no light, no
oxygen, no tangible purpose
other than to shrink with shameat their perception. the council cut
the branches off the trees on the
street where i live.stomach acid - 30
i learn that the growling white noise of my stomach
is the one situation that i can keep firmly pressed
under my thumb. my oma was smuggled from germany
to england by the shadows of people she was too young
to now have memory of, but eighty-five years later i am
trying to shrink myself to insignificance.her parents were too busy being swallowed up by
zyklon b to know their daughters and i wonder if she ever
feels resentful that she was dragged screaming from
her family to live in pain instead of dying in the arms of
her mother. she was too young to remember kristallnacht but
her sisters would tell me that the glittering refractions of
broken glass would have been beautiful were it not for
the seven years that followed.my girlfriend tattooed a star on my ankle when we were
sixteen, and i have never seen my oma so furious as when
she, a dog at its prey, rounded on me with screams of
paskudnik. her tattoo remains embedded on fragile skin,
history injected into the ink. it doesn’t feel like my history,
when i disrespect her memory with my emptiness.i dream about my ergroßeltern and they ask if i know what
it means to be a link in an unbroken chain. my catholic
mother would laugh at the idea, taking pride in the pliers
she used to remove my link. i do not feel unbroken when my
lungs fill with stomach acid as i empty myself, but i tell them
i understand and i tell them i love them.flames flicker in every friday and i cannot help but see
my oma in them. each whisper of light in the dark is a whisper
from the past, a reminder of faith that refuses to die even
if it’s quenched by acid. in the quiet, i thumb through photo albums,
looking at the sepia-tinted smiles of relatives i never knew but
think about every day. i can’t look in the mirror without seeing
the eyes of my great-great-grandmother who doesn’t know that i exist,
the nose of my great-uncle, the hair of my oma. i see my place
in the tapestry, but i am unable to weave myself into it.i think about wasting away before i can teach my children
the songs of our ancestors, before i can prove that we are still here,
that we were worthy of saving. in the stillness of the night i find
a fragile peace—my oma did not choose escape but she was
gifted it and i cannot let her sacrifice go to waste. i may not be able
to stitch myself back into the tapestry, i can return my link into
the chain, and let my ancestors sew me back in.
all poems from stonefruit were first published on eunoia review, (february 2025). their support is always appreciated.
preface
stonefruit wasn't a collection i set out to write — it found me instead. these poems came together in the quiet spaces, in moments when i wasn't searching for them but they arrived anyway. they spilled out like water overflowing a jar, unexpected and yet impossible to contain. writing this collection felt less like creating and more like uncovering — peeling back the skin of a fragile fruit to find its sweet, sharp insides waiting to be known, a story that was always waiting to be told.